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Abstract


TÜRK DÜNYASINA ÖNEMLİ BİR KAYNAK “Şeşendik”

Today the history of the Kazakh folk oriental art begins with the Turkic Khanate, Karakhanids, the Kipchak era, VI-IX centuries. It is known that the Turkic-speaking peoples of the Orkhon-Yenisei inscriptions are widely distributed since the beginning of Kultegin, Bilge kagan and Tonikak. In this context, many works of Balasaguni's "Kutadgu Bilik", M. Kashkari's "Diuani lagat-horiz Turk", Khodzha Ahmet Iassaui's "Diwani Hikmet", A. Igenin's "Gibatul Hama" are of particular importance in the civilization world. Also known as "Kodeksi Kumaniks" (XIII-XV centuries), "Oguzayma", Kazakh historians Haydar Dulati ("Historical Rashidi"), Kadyrgali Zhalayri ("Jamil-at-Tawarik"), , Zakhari's works of Babur ("Babyrname") are written as historical literary and artistic heritages. It is possible to complete the genre of the Chechen dance (Mai, Ketbuz, Asan Kaygy, Zhirenzhe, Tole, Kazybek, Aiteke, Syrym) in the Kazakh fiction of the last five centuries (XV-XIX centuries), to look into their heritage, Necessary principle. The view that the birth and formation of speech art is related to the emergence of the society proves the history of Kazakh ornamental art [1,60].



Keywords
Turkish World, Source



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